Rayna Mathis has edited the monthly publication of Seattle's Earshot Jazz for four years; Chrys Roney became CEO and editor-in-chief of Hot House Jazz Guide, serving the New York metropolitan area, just five months ago -- and each of them enthuses about the community-serving aspects of their editorial project. Howard Mandel notes that its been rare for Black women to head jazz publications, and a gratifying development.
Rayna Mathis has edited the monthly publication of Seattle's Earshot Jazz for four years; Chrys Roney became CEO and editor-in-chief of Hot House Jazz Guide, serving the New York metropolitan area, just five months ago -- and each of them enthuses about the community-serving aspects of their editorial project. Howard Mandel notes that its been rare for Black women to head jazz publications, and a gratifying development.